![]() They are a tool that allows you to plan the soundtrack. Initially, the cue sheets were compilations but over time they became the carrier of original compositions. Cue sheets took the form of tables containing information about the length of each shot, scene title and title of suggested track. So Max Winkler, employee of The Universal Film Company came with solution - Winkler was watching films, before they were placed into distribution, and preparing sets of matched compositions. However, the producers also understood the need to coordinate the musical layer of the film. Soundtracks of The UniversalĪnthologies were the result of creative work of composers and publishers. Soon, the anthologies were considered very useful and theatres began to collect them. One of the earliest publications was Motion Picture Piano Music: Descriptive Music to Fit the Action, Character or Scene of Moving Pictures - compiled of over fifty short scores by Gregg A. In 1909, the first anthologies were published aimed to help pianists and music directors. Musicians were responsible for soundtracks – pianists in small towns often were forced to improvise without watching the film first, but music directors who worked with orchestras in large theatres were able to collect score sheets and precisely plan the performance for each projection. It became clear that films without music are somehow incomplete, as Kurt London wrote – dimensionless, so theatres had to hire musicians. Music is connected with film since the very first projections organized by Lumière brothers in 1895. To fully understand importance of cue sheets we need to look back at the era of silent film. Although the way they were used has changed a bit, cue sheets still are great tool for planing and describing structure of soundtrack. Cue sheets are documents used in film industry since first decade of XX century. ![]()
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